T is for...
I've just finished a tour with the Orchestra of the 18th Century and wow, was it fabulous! Intensive, but fabulous! Actually, to be honest, I'm pretty pooped - two days of rehearsals in Amsterdam, then concerts in Breda (NL), Ambronay (F), Paris, (F) Haarlem, Eindhoven, Brugge (B), Amsterdam, Groningen and Rotterdam, plus the travel days... Still, it was totally worth it because this group is really one of the finest early music orchestras in the world and I'm still grinning to think that I got to stand in front of them and scream a bit! Huzzah!
Quite a few of the halls were very dry, so you felt like you were playing or singing into a velvet cushion - the sound being immediately absorbed into the furnishings - so you'd have to play with a bit more oomph and broadness although not necessarily with more volume. Occasionally there was the perfect acoustic where you could play with and feel your sound was being supported and lifted to the audience, and there were a couple of halls, well, really just the abbey, where you felt you were playing in a swimming pool and your sound rang and echoed for more time than the music needed. A LOT more time! In those instances the trick of maintaining a broadness of tone, but keeping the length of notes shorter was the name of the game.
In the words of Calvin, he of tiger-trapping fame, AAAUUUUUUUUUUUUGH.
Vitamin C and some efficacious echinacea, anyone?












































